Usually my blog is something about East London and its connection to my novels and this one is no exception except the link is a bit more tenuous.
On Friday night the Hero@Home and myself went to London for a very special evening at the theatre. It wasn’t so much that we had tickets for a West End play but who the star of the production was.
Now as most of you who follow me know I have a bit of a thing about Aidan Turner so when I tell you the show we went to see was the Lieutenant of Inishmore, with him in the title role you’ll understand why it was a special occasion.
However, although the majority of the female members of the audience were there to see Aidan strut his stuff as Padraic, homicidal, cat-loving terrorist, his presence didn’t dominate the production.
The Lieutenant of Inishmore is very much an ensemble piece and had with excellent performances by Chris Walley as Davey, Denis Conway as Padraic’s father Donny and Charlie Murphy, who many watching wanted to swap places with, as Padraic’s equally bonkers girlfriend.
The whole two-act play motored along very nicely with many, many laugh -out-loud moments throughout, and wittily clever dialogue ‘there be no statute of limitation on mammy trampling’ being just one. Given the serious nature of the underlying subject matter this was a grand achievement.
For some one of my generation who lived and worked in London during the IRA’s 1970s bombing campaign on the British mainland some of the references, such as the one to Airey Neave and trips to Belgium caused a moment of pause, but in the context of highlighting how stupid and mindless the violence of that time was it worked.
Now, what might you ask has a play set in the 1980’s on the West Coast of Ireland about a bunch of crazy terrorists got to do with my Nolan Family East London novels? Well I’ll tell you.
Ever since I saw Aidan Turner cast as the vampire with a conscience in BBC 3’s Being Human I’ve imagined him playing Patrick Nolan in a TV adaptation of my Victorian East London books, No Cure for Love, A Glimpse at Happiness, Perhaps Tomorrow and Hold onto Hope.
Seeing him move across the stage and deliver his line with panache has only confirmed my choice. However, should my books ever be adapted for the small screen, I don’t think Mr Turner will available because I’m sure by then he’ll be universally known as Bond, James Bond.
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Really thrilled to be able to announce the release date and cover of the next book in my East End Ration Book series.
It follows on from the first in the Ration Book Series, Pocketful of Dreams, so you can catch up with the boisterous Brogan family as they face up to the worst the Luftwaffe can throw at them.
In the darkest days of the Blitz, Christmas is more important than ever. With Christmas approaching, the Brogan family of London’s East End are braving the horrors of the Blitz. With the men away fighting for King and Country and the ever-present dangers of the German Luftwaffe’s nightly reign of death and destruction, the family must do all they can to keep a stiff upper lip. For Jo, the youngest of the Brogan sisters, the perils of war also offer a new-found freedom. Jo falls in love with Tommy, a man known for his dangerous reputation as much as his charm. But as the falling bombs devastate their neighbourhood and rationing begins to bite, will the Brogans manage to pull together a traditional family Christmas? And will Jo find the love and security she seeks in a time of such grave peril?
It will be released on the 11th October but is already up for pre-order on Amazon.
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Hi Mary, I know you write both Victorian and 20th century sagas but do you encounter any problems shifting back and forward a century?
Hi, Jean and everyone. Thank you so much for hosting me today, Jean. Lovely to be here
I love all era’s in history, and so never find it a problem to slip into one of them.
Once I have an idea, and a setting, I‘m away with the story, building it with research, and characters to fit the time period, and soon immerse myself as if I am living the story.
- Why do you think these two periods dominate the Saga market at the moment?
Back in the day, when I tried to get published and was submitting manuscripts, pre-2009, I was told: “There are enough clogs and shawl books, and interest in them is waning.” (I gave up for a while and worked as a creative writing editor on other author’s books)
Then, along came Downton Abbey and the saga market lit up once more as readers wanted to read similar stories – I don’t see that waning just yet, although the market is getting flooded once more.
I think that interest in war stories was triggered by reaching significant anniversaries of the two World Wars. And, in particular when we liberated women of today wanted justice for our grandmothers. We wanted their deeds recognised, and in the process, everyone learnt more about Land Girls – Bletchley Girls, SOE’s – very courageous girls who worked behind enemy lines as spies, VAD’s, Red Cross Nurses, Munition workers, and so on. Suddenly there was wealth of stories with a real buzz around them and the genre took off.
- I know you live in both Spain and England but does traveling back and forward interfere with your writing at all?
I try make sure that I haven’t a work-in-progress, and my desk is clear for the journey and at least a week after.
Once there and settled, I work so well. The warm sunshine allows me to sit outside with my laptop and beaver away.
I usually write two books during my winter break. However, I am now writing for two publishers and edits began to pile in at the same time, and so I only managed one and a half – I’m on catch up now.
- I know you get your first draft done in super quick time, so does that mean you have to do lots of re-writing once the stories down?
It varies. Sometimes two or three scenes need to go, or be added in. Then I may need to bring some scenes to life as I find that I have under-dramatised a scene, or maybe, overdone it, so tweaks are needed.
Along the way I will have left myself lots of notes of things I need to know, and these have to be researched and slotted in. For instance, I might need to set one of the character’s homes in a street that looks a certain way, but instead of finding out this information while I am writing, I post a comment to myself to research the area to find the street, and place it in when re-writing.
Same might go for a station, particularly if a character is leaving London and I need to know which station and tube etc that she will use for her destination. I have to start by putting the journey in to google, then find out if any of the stations were there over one hundred years ago and if not provide alternative transport.
All of this work can take a week of many hours work to fix. But I love this stage as the pressure is off – I have my story down, I have a beginning, a journey and an end. Polishing it all is a pleasure.
- Do you have the whole story in your head before you start or does it evolve as you write?
I always think that I do, as I write a detailed synopsis, and this can be a comfort as you always know the direction you are heading. But, what emerges is sometimes quiet different, as the story goes along paths that are not in my planning at all. I love these moments. It is like watching a film and not knowing what is going to happen.
- What has been the highlight of becoming a published author?
All of it. It has been just as wonderful as I always imagined – meeting readers, making friends with them, meeting professional ‘book-people’ in the industry, and being verified by them – they actually think I am a good author…wow!! Meeting other authors and the support we give each other. Going to meetings and publishing parties, book-signing, and giving talks – I love it all. And there are experiences still awaiting me as I haven’t yet managed to attend any of the wonderful Romantic Novelist Association events, or a book fair. Cannot wait for the time to be right that I can do these things too.
- Apart from writing what else do you do in your spare time?
I relax with hubby. We love to go out to dine. And to spend time with our children, grandchildren and great grandchildren and of course close friends.
I do have many interests, but not much time to give to them – reading, crosswords, days out exploring, and having picnics, playing scrabble, sewing, cooking . . . sigh, just to lists them makes me wish I had time to do them more often.
- Will you give us a little taster of your new book The Street Orphans?
The Street Orphans is an emotional story set in 1850s Lancashire, from Mary Wood, the author of In Their Mother’s Footsteps and Brighter Days Ahead.
Born with a club foot in a remote village in the Pennines, Ruth is feared and ridiculed by her superstitious neighbours who see her affliction as a sign of witchcraft. When her father is killed in an accident and her family evicted from their cottage, she hopes to leave her old life behind, to start afresh in the Blackburn cotton mills. But tragedy strikes once again, setting in motion a chain of events that will unravel her family’s lives.
Their fate is in the hands of the Earl of Harrogate, and his betrothed, Lady Katrina. But more sinister is the scheming Marcia, Lady Katrina’s jealous sister. Impossible dreams beset Ruth from the moment she meets the Earl. Dreams that lead her to hope that he will save her from the terrible fate that awaits those accused of witchcraft. Dreams that one day her destiny and the Earl’s will be entwined.
The book will be on sale in WH Smiths, Waterstones, Morrisons, Tesco, Boyes, and on all ebook outlets – for Amazon the link is: https://www.amazon.co.uk/Street-Orphans-Mary-Wood/dp/1447267516/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1516787224&sr=1-1
Thank you so much, Jean, I have really enjoyed this interview. Much love to you and to all your followers. Mary x
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It’s just after ten in the evening and I’ve just popped into the Angel and Crown on Whitechapel High Street to have a quick chat with Ellen O’Casey the popular supper room singer of the establishment.
I know you’re due on stage soon, Ellen, but would you mind if I had a quick chat?
Well, my friend Kitty’s doing her turn at the moments, so we should be all right. But I can’t be too long or Danny’ll be after us.
I know you came here from Ireland when you were quite young, but can you remember anything about your homeland?
I can remember things like the rough stone walls of the cottage we lived in and lying in bed listening to the mice scurrying about but one day dose stick in my mind.
It must have been spring because I can still see the swallows in my mind’s eye as I think of it. A rare day it was, with the sun warming you and the smell the dew still fresh on the grass. Pa piled us all into the old rickety cart and took us all to the county fair.
We were so excited me and my brother Pat and Mike hadn’t slept all night with the thought of it. Me and Pat argued all the way like a couple of cats in a sack, and if Ma threatened to make us walk once, she did it a dozen times.
When we got to Wexford, sure, I’d never seen so many people. I didn’t think there were that many in the world let alone Ireland. There were dancers and travellers in their brightly painted wagons and the men distilled potchine in kettles and tin baths or what ever was at hand.
The fiddles were playing while young girls whirled in their new clothes laughing and smiling. The fellas in their rough working clothes and heavy boots danced like feather in the breeze and catching their lasses as they passed.
Ha! Pat and Mike sneaked off and drank some homebrew and were as sick as dogs but instead of a whacking, Pa laughed and bundled us all back in the cart to take us home
I don’t remember getting into bed that night but I’ll never forget it. It was less than a month later we all piled into the cart again and left our old home forever and came here. But that day sometime comes back to me in that moment between sleeping and waking and I can smell the new spring grass once again.
It must be difficult for you as a widow to keep a roof over yours and your family’s head?
It’s almost impossible and without my Ma I’d have been in the poor house long before now. We both up before dawn to fetch water from the pump at the bottom of the street. Then I go and collect the washing from the big houses while Ma heats the copper. All morning we scrub our knuckles raw on the washing board before drying and ironing it and then taking it all back at the end of the day.
At night we sit by candlelight and sew collars from Miller factor. We get thrupence for two dozen. It barely keeps us, what with the rent and food being so dear. That’s why I have to sing in this place and sometimes down at the White Swan or Paddy’s Goose, Danny’s other pub. And if you think it’s grim in here, you should see that hole down on the Highway.
I understand you’ve been alone for almost ten years so I’m a bit surprised you’ve not remarried?
That’s a bit of a question and I’m not saying now, that I haven’t had the odd offer or two but there’s been no man who’s taken my fancy enough for me to want to make it permanent. But I wouldn’t say no to the right man. But he’d have to be the right one because I’ve been married to the wrong one before and don’t want to repeat the experience.
This area of East London is notorious for crime and violence aren’t you frightened of living here alone?
For the most part I’m safe enough in Knockfurgus, the part of the dock where I live and most of us Irish are settled. It’s in walking distance of the riverside where there’s work to be had when the ships are in. Our street can be a bit rough, I grant you, but we all look out for each other. We share what little we have and that’s not much. There’s none of us who would let a child go hungry even if we had to skip supper ourselves.
It’s the drink that makes it hard on a woman. I mean, no one would argue that a man entitled to a drink at the end of the day, to clear the dust from his throat but some, well; they don’t know when to stop and its his wife and children who feel the force of it, as often as not.
As to the danger. The Italian and Irish gangs are after each other not us so when they are cutting each other up in the streets and alleyway we shut ourselves in. Our house is very small, two room on top of each other really, but there is only me, Ma and Josie so we’re snug enough. Some houses have three or four family living in and then there can be trouble.
Of course, I’m often scared out of me life when I have to walk home after singing here. But I keep to the main roads and go as fast as me legs will carry me. Sometime the beat officer will walk away with me and I can relax then. But I have to work here so there’s no point wailing about it.
I notice that a number of women in the same situation as yourself often… well, how can I put this delicately?…take to the street.
It’s true. If you peek though curtains you can see them sitting at the back of the room now. They are easy to spot with their bright dresses and red lips. Sad souls. And I for one, don’t condemn them for what they do. I mean, most of them have a child or two to feed and sometimes it the streets or the workhouse. And it can look easier that scrubbing sheets all day but there’s always a man lurking around who takes their money, not to mention the danger of being found by the peelers in the gutter with you throat cut. And if you live long enough you’ve got the pox ward at the hospital to look forward to.
It seems an easy way but when I see what poor Kitty has to do to keep Danny sweet I think I’m better off on my own. Although, if I were honest with you now, I do miss the arms of a strong man around me when I snuggle under the blankets .
I notice you get a fair few doctors from the London Hospital nearby take their supper here. In fact, that new medic, Doctor Munroe, is at one of the tables and keeps looking this way. Perhaps he’s someone you might consider giving up your widow’s weeds for?
Oh, go away with you! Whatever are you thinking? A man like that, you know, fierce handsome enough to tempt the angel themselves, isn’t for the likes of me.
There’s a lot of toffs who come down East slumming. I avoid them ‘cause all their after is a quick night’s fun for a few shilling and I’m not interested.
Mind, I’ll not have you thinking Doctor Munroe’s is one of those because he’s not. He’s a proper gentleman and not just because of the way he dresses and speaks.
But no. He’ll marry some pretty lady with money and who speak right. Not a pub singer with an ageing mother and gangling daughter. In a better world perhaps his smiles and kind eyes might become more but not in East London, not in 1832.
I hear also that although he’s only been here a month or two Doctor Munroe is already making his mark by introducing all sorts of health reforms, like a providing a proper water supply and sanitation to the slums. I also hear Mr Donovan, as chairman of the workhouse board isn’t too pleased with him looking into the workhouse accounts. Although, trying to improve the lot of the poor is very admirable Perhaps you should warn him he’s fishing in dangerous waters as far as Mr Donavan is concerned.
Ho! Doctor Munroe’s ruffled Danny’s feathers and no mistake. Good job too. Danny’s got his fat finger in every sticky pie around here. On the Parish Committee and the Board of Governors at the Workhouse. It a disgrace how he runs the neighbourhood. Letting the water pump break and you can smell the workhouse before you see it. I pity the poor souls forced to live in there.
I do admire Robert….I… I mean Doctor Munroe.
Ellen you’re blushing.
I’m not. It’s just a little warm in here that’s all. Anyway, it’s a brave thing that Doctor Munroe’s doing and his surgery in Chapman Street where he charges only what he has to. But your right, he need to be careful. Danny’s been top dog around here for years and he doesn’t stay there by being nice to people who cross him. For his own sake, I wish Doctor Munroe would watch out for himself. It would fair break my heart if anything should happen to him.
Know you work hard to pay for your daughter Josie to attend school but is it worth it seeing as how the only opening for a girl of her class is to enter service or marry a docker?
Josie as bright as a button and with her brains she could teach school or work in a shop. I don’t mind her going into service because she would learn things I could never teach her, but it would mean her going away as there are no big houses around here. But to do any of those things she need her letters and figuring. My Pa knew that which is why he taught us all to read and do arithmetic.
I don’t suppose I want any more for Josie than any mother. I want her to find a good man who’ll treat her right be he a docker or sailor or anything
She had a fella, Patrick Nolan. He’s the son of my friend Sarah and he’s a good lad. dependable and hard-working but I’ve told him I’ll be after him if he takes advantage. I don’t want Josie to make the same mistakes as meself so I’m keeping a close eye on them just to be sure.
You sound bitter when you talk of your husband. Was your marriage so bad?
Michel O’Casey had grand curly hair and a smile to warm you on a frosty day but he thought he could solve his problems at the bottom of a glass. I was only fourteen when I met him and too young to see him for what he really was.
I don’t know if cheated is the right word but I’m sad that me and Michael went sour so quickly. I realise now that a love like Ma and Pa’s only comes once in life time. I thought Michael was that love but it didn’t take me long to find out my mistake. I hope that someday such a love might happen to me. but I’m getting older now and so it might be too late.
Have you ever considered returning to Ireland? After all you must still have family there.
No. It’s worst there than when we left. People dying in empty field and eating grass to keep the hunger from their bellies. There’s no future for us there especially Josie.
Besides, most of our family are over here in Liverpool and Bristol and my brother, Pat’s in America. He’s doing grand, so he is, and we’re hoping to join him soon.
What do you think life will be like for you, Josie and your there?
I don’t think it’ll be easy but my brother Pat got his own business in New York. He told me in his last letter that he would be looking to buy himself a bit of farm land north of the city in the Bronx.
He also wrote that in the wild territory the government give away land just to have someone on it. Can you imagine that? He’s says he’d saddle up his ole mule and dash for it.
I’m not afraid of hard work either, so I’ll just do as I’ve done when I get there and do whatever I have to do to keep my family.
Whatever I do at least I won’t have to be dodging Danny’s straying hands while I earn a few coppers, but until then I’m afraid I’ll have to sing for all the O’Caseys’ suppers in the Angel and Crown.
Thank you so much for talking to me, Ellen. I hope you do get to America, if that’s what you decide you finally want. Now I see Mr Donovan glaring at us. He doesn’t look pleased, perhaps it’s time for you to sing now.
Buy No Cure for Love and the other books in Jean’s Victorian series at: http://goo.gl/G9Dgds
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Hi, Kate, could you give us an overview of your writing career so far?
Hi Jean. I trained as a journalist and spent twenty years working for women’s weekly titles like Pick Me Up, Take a Break and That’s Life! which was a wonderful training ground in the art of listening, as well as an insight into what women really want to read about. I also did spells at The Daily Mail and The Daily Express. I was Deputy Editor at Pick Me Up magazine when I was made redundant. I was heavily pregnant with my second son and it felt pretty catastrophic at the time. In panic mode, I launched myself into the world of freelancing. A friend of mine was working as a ghostwriter and put me in touch with her agent, Diane Banks. She took me on and after working as a ghostwriter on five books, my agent suggested I try my hand at fiction. Now I look back and see that redundancy as serendipity, as there as is nothing I would rather do more now than write books.
2) What is it about the WW2 that fascinates you so much?
I think lives were lived so much more intensely and there was real potency and power to being a woman. Women really did step outside the home and discover what they were capable of. I interviewed a fascinating lady who was one of a handful of women to train as a doctor during the war. She leant forward in her chair and I was taken aback by the fierce determination in her voice when she told me: ‘In wartime, it was women who saved the day.’ It’s extraordinary when you think about it the way we carried on in a time when invasion seemed certain, and yet for so many, defeat simply wasn’t an option.
3) Why do you think this period is so popular at the moment?
We live in such uncertain times. Immersing yourself in the warmth and nostalgia of the past can feel like an escape from the frightening realities we face when we switch on the news. Reading about a time when a country pulled together to face a common enemy and people lived collectively, not individually, offers an unshifting narrative. Obviously we are looking back through a rose tinted prism, can you imagine the realities of actually living in a war zone? Despite this, I don’t think there’s any doubt that communities were much closer back then, and in the absence of the Welfare State, women were the welfare state, caring for neighbours and family. I think there is a tangible sense of people craving the benefits of living in a tight-knit community.
4) What is a typical writing day for you?
I drop the boys off to school, walk my ageing Jack Russell, Twinkle, then make a big cup of coffee, park my bum down and write until it is time to collect them. If I’m on a research day in the East End, I’m usually legging it up Whitechapel High Street en route to an interview or an archive.
5) Are you a plotter or do you write the story by the skin of your pants?
I’m a plotter and something of a control freak. I admire people who can discover it as they go along, but that would freak me out. I start with a timeline and a detailed bio of each of my characters and go from there, combining research with writing.
6) What has been the highlight of becoming a published author?
Good question. Nothing beats seeing your book on the shelves, or receiving a letter or email from a reader who enjoyed your book.
7) Apart from writing what else do you do in your spare time?
My sons are 10 and 6, so a lot of time is spent running them to football, karate and swimming clubs. I do love running and exercise. I bought a stand-up paddle board last year, which I absolutely love. On the river it is great, but we took it down to Dorset last Easter and trying to stand up on it on the sea is another thing altogether. I spent most of the time face planting straight into the sea. I’m a bit of a fresh air and nature nut and it’s lovely to be outdoors when you’ve spent hours in front of a PC.
8) Have you any advice for aspiring Saga writers?
Only to write about an area, or people for whom you have profound respect and affection for. I also think you have a duty of care to research that time frame as vigorously as you can. People do love to spot anachronisms so take care to make your writing as authentic as possible. I have lots of trusted wartime East Enders who do what I call ‘sympathy reads’ to make sure my writing is as accurate as can be. Also, be prepared to embrace and utilise social media.
9) Can you tell us a little about The Allotment Girls?
When I stumbled upon a gem, like the iconic Bryant & May match factory in Bow, I knew firstly I had to set a book there. Next, I accessed the archives held at Hackney Library and started to read about the factory, its long history, its role during the war and its many social opportunities, like The Match Girls Club, and these vivid characters started to drop into my mind. Shortly after I discovered the Bethnal Green Producers’ Association, which during the war saw 300 men, women and children from the borough transform the darkest of bomb sites into thriving allotments, using elbow grease, imagination and pierced dustbin lids to sift out shrapnel. I had the beginnings of my story and the Allotment Girls was born. An allotment is a great stage for drama, all manner of illicit liaisons can take place there and secrets concealed beneath the soil.
Thanks for being part of my blog tour, Jean.
Read more about Kate and her books:
The Allotment Girls, published by Pan Macmillan is out March 22nd. Available to order now on e-book via Amazon.
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Work-life balance is a well-worn phrase which describes philosophical and ethical way of trying the get the right balance so you work to live rather than the other way around. The assumption of this philosophy is that the individual’s out of work life is more important than the in-work life. However, as a writer I have a slightly different take on this.
When I tell people always take my laptop on holiday so I can keep up my word count while I’m away they throw their hands up in horror. ‘But you’re on holiday’ they say ‘why don’t you just relax’ they say, ‘you should take a break from work’ they say, totally misunderstanding what writing means to me.
Yes, it is what I work at but it’s not ‘work’. I don’t dread going to my desk each morning, when I’m struggling to write a difficult scene I have to break off for an hour sometimes but I never want to be away from the story I’m writing for weeks. And it certainly isn’t relaxing for me to have a story in my head hammering to get out and no means of writing it down. For me, a holiday isn’t a holiday without being able to write at least 500 words a day. In fact, in order for the Hero@Home to have a relaxing time away he insists I take my laptop.
The truth of the matter is; even if I change location I can’t escape the current and future stories racing around in my head. And honestly, I don’t want to. So, along with the suntan lotion, swimsuit and beach towel my laptop is top of the list of my holiday essentials.
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In my latest release, Pocketful of Dreams, one of the main character, Christopher Jolliffe, is a Nazi follower working to overthrow the British Government and to install a Fascist regime.
Part of my job as an author is to show him and his odious political ideals in their true light. To do this my character has not only to do vile things but say words that are both offensive and cruel.
Writing Christopher and his fellow fascist conversations was a challenge but I did what I always do to get the period details right and consulted primary sources, in this case the quotes
and pamphlets written by fascist leaders of the time. Their exchanges reflect the beliefs many held.
Today, if you mention British pre-war Fascists people immediately think of Mosley and the Battle of Cable Street or Diana and Unity Mitford both of both frequent visitors to the Reich and ardent followers of Hitler.
However, while Oswald Mosley is certainly the best known British Fascist he is by no means the only one. In fact, it could be argued that others behind the scene, many of them upright member of society were more extreme and more influential.
There was a tangle of pre-war organisation such as the The European Society for Christian Resettlement, British Vigil, The Anglo German Fellowship and others. One of the most influential was the Right Club which was headed by the Right Honourable Captain Ramsey the member of parliament for Peebles and South Midlothian. Ramsey was a fervent anti-Semitic who wrote tracts about the World Jewry’s plot to take over international financial markets.
Another influential Fascist organisation was The Link which as well as being anti-Semitic was also actively pro-Nazi organisation founded by British Admiral Domvile, who kept a photo of Hitler on his desk.
The most active branch of this organisation was the Northampton branch headed up by Captain George Drummond who held Nazi social events and had a swastika design in the tiles at the bottom of his swimming pool.
The fascist cause was supported across the social divide from the very top of society with people like Ben Greene active in the British Council for a Christian Settlement in Europe through to Jock
Houston and his bully boys in the working-class areas of East London as the British People’s Party.
To be honest when I was looking for someone to model my villain Christopher on I was really spoilt for choice. However, to portray the visceral hatred of the fascists for Jewish people I also had to read some of their essays and transcriptions of their speeches. Not a comfortable exercise. However, although the primary aim of historical fiction is to entertain the reader I feel in pursuit of accurate research we shouldn’t shy away from including the less savoury aspects of the past.Share this...
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Having watched with unease Hitler’s march across Europe and the terrible effects of the Luftwaffe Blitzkrieg during the Spanish Civil War in 1938 the British Government passed the Air Raid Precaution Act. This charged every local council with setting up the ARP for their area answerable to the newly formed Ministry for Home Defence.
There had been air raids on Britain during WW1 that resulted in 1400 civilian deaths and in ARP preparation in the lead up to WW2 drew on that experience.
As early as 1924 Sir John Anderson – he of the garden shelters fame- set up a committee to consider the measure that should be taken. However, after Germany in direct contravention of the Versailles Treaty reformed their air force councils in Britain were urged to start ARP preparations but many refused on the grounds that they wouldn’t burden the rate payers with expensive precautions which might never be needed. However, once Hitler marched Czechoslovakia the writing was on the wall and preparations for war on the Home Front began.
The ARP Act which came into force on 1st January 1938 provided the money required to mobilise a vast army of civilians to defend the country against the war that would soon be upon them. Many were paid and the standard rate was £3 3s 6d for men and £2 3s for women but senior ARP ranks got slightly more.
At the outbreak of war in September 1939 the National Service (Armed Forces) Act was passed. All men between the ages of 18-41 began to be called up but rather than wait for their ‘papers’ many volunteered leaving massive gaps in the workforce and the ARP services. Their places were filled by bringing people into the workforce who weren’t included in the conscription criteria, women and men who were medically unfit for military service or who were too old or too young. Although there were many variations the basic Air Raid Precautions consisted of the following personnel:
Control centres were often cited in Town Hall or other civic building. They were the first to receive the reports of incidents and having evaluated where and what was involved would inform the appropriate Depot. They was headed up by a senior controller usually the Town Clerk or other high ranking official and manned by telephonists and plotters- people monitoring which service were sent to each incident.
Where my heroine Mattie Brogan is an Air Raid Warden. Were gathering place for all the services so they were ready for a swift response to an incident. In the thick of the blitz, teams often lived there for day sleeping in vehicles or under tables to be on hand.
Air Raid Wardens:
Air Raid Wardens: who did everything from rouse people from their beds, keeping order in the shelters and making sure the blackout was maintained. They covered a specific area and often knew who lived where. This was invaluable when searching for missing people in bombed building.
Triaged wounded and either treated the casualties on the spot or transported them to hospitals. With the introduction of petrol rationing many people donated their vehicles to the war effort. Ambulances were often civilian car painted white with a red cross on the side and their seats taken out to accommodate stretchers. Because driving wasn’t as common as it is now initially there was a shortage of drivers and although in London many middle and upper-class women stepped into the breach, the service still had to train others.
Heavy Rescue : Made structures safe and dug people out from the rubble. Builders and other tradesmen were drafted into the heavy rescue service often using their own equipment and vehicles. Theirs was the gruelling and dangerous task of going into a building and making it safe. They also dug survivors and bodies out of the rubble.
De-contamination squads .
In the event of a gas attack they were to decontaminate people and places. Thankfully, we don’t hear much about the de-contamination squads that were set up as part of the ARP. That’s because despite the Governments fears that the Germans would gas the population no gas was ever dropped
Messengers. It’s hard to imagine a world without instant and multiple communication but on the Home Front during WW2 there was only the telephone. It was before STD calls had to be routed through an operator therefore if the local exchange was put out of action all communication links between central command, depots and information posts were broken. The youngster who ran and cycled back and forth often in the middle of an air raid were vital for communication between central control and the assorted ARP services.
The official Air Raid Precautions services were closely linked to
When the war started many officers volunteered in the first month leaving the police depleted of manpower at a time when the pressure on them doubled. Not only were they part of the rescue services but also had to deal with an increase in traditional crimes such as theft and burglary, along with tackling black-market racketeering, looting and help with the identification of bodies.
Women’s Voluntary Service
WVS; Although not technically part of the ARP service they were the oil in the wheels. They did everything from setting up canteens, manning rest centres for those bombed out of their houses, caring for misplaced and orphaned children through to running clothes exchanges.
At the outbreak of war there were over a million and a half people involved in ARP work and during the course of the next six years almost 2,500 of them died while on active duty. It was due to the selfless service of countless everyday heroes that Britain was able to survive during some of the darkest days of the war.
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Gripping the two Kirby grips tightly between her lips, Matilda Mary Brogan or Mattie as she was known to all and everyone, carefully slid the comb of her sister Cathy’s headdress into place and then, taking each pin in turn, fixed it there.
‘There you go,’ she said, smiling at Cathy in the mirror.
Cathy, who at eighteen was two years Mattie’s junior, had hair the colour of ripe corn and storm grey eyes, like their father’s, while, in complete contrast, Mattie had inherited the dark chestnut locks and hazel coloured eyes of their mother.
‘It’s so pretty.’ Touching the wax orange blossoms with the tips of her fingers, Cathy turned her head from side to side. ‘I just hope it stays on in this wind.’
‘It ought to, I’ve anchored it with enough pins,’ Mattie replied. ‘Besides, it looks like it’s brightening up.’
Cathy gave her a wan smile. ‘You mean it’s stopped thundering.’
It was the first Saturday in September and instead of catching the 5.30 from London Bridge to Kent for the hop harvest, which is what they’d done on this day of the year ever since the girls could remember, the women of the family had been up since the crack of dawn preparing for Cathy’s big day.
Mattie lived with her parents, Ida and Jerimiah Brogan, at number 25 Mafeking Terrace which ran between Cable Street and the Highway in Wapping, just a few roads back from London Docks. Their road was lined with Victorian workers’ cottages and was just wide enough for two horse carts to scrape past each other. It had originally been called Sun Fields Lane but after Baden-Powell and his handful of troops were relieved at Mafeking, it was renamed in their honour.
With three upstairs rooms, a front and back parlour plus a scullery, the houses in the street were probably considered spacious when they were constructed a century and half ago but with seven adults and one child living under its roof, the ancient workman’s cottage was straining at the seams.
Mattie’s parents had the largest upstairs room, overlooking the street, her brother Charlie, who was three years older than her, and nine-year-old Billy-Boy squashed into the minute back room while Mattie shared the third bedroom with her sisters Cathy and Josephine. This was where she was now, standing listening to her mother and aunts bustling around downstairs as they prepared plates of sandwiches for the wedding breakfast.
As the women had used the facilities at the Highway’s public baths the evening before, they set to making plates of sandwiches still in their dressing gowns and curlers, to be taken around to the Catholic Club where the wedding breakfast was to be held.
While the women of the family worked on the refreshments, Mattie’s father and her brother Charlie changed into their Sunday togs and had left twenty minutes ago to sort out the transport. As chief bridesmaid, Mattie had been given the task of helping Cathy into her wedding dress while the rest of the family got everything ready.
There was a crash downstairs.
‘For the love of God,’ screamed her mother’s voice from the scullery below. ‘For once will you let up on your bloody fault-finding, Ma?’
‘Fault-finding, is it?’ trilled Queenie Brogan, Jerimiah’s sixty-two-year-old mother. ‘Sure, am I not just trying to stop you being the laughing stock of the street, Ida, with your—’
The kitchen door slammed.
In the reflection, Cathy smiled at her. ‘They still at it, then?’
‘When are they not?’ Mattie rested her hands lightly on her sister’s slender shoulders and smiled. ‘You look so beautiful and every bit the blushing bride.’
A pink glow coloured her sister’s cheeks. ‘I just hope Stan will agree.’
‘Of course, he will,’ said Mattie. ‘In fact, I wouldn’t be surprised if he fainted away at the very sight of you.’
Cathy giggled. ‘Did you ever think I’d be married before you, Mattie?’
‘I can’t say I gave it much thought,’ Mattie replied, poking a stray pin in a little firmer.
Cathy turned her head and fiddled with a curl. ‘Because I’m sure you’ll meet the right man someday.’
‘I’m sure I will, too,’ Mattie replied. ‘Someday, but I’m not in any hurry.’
Cathy spun around on the stool and took her hands.
‘And I don’t want you to worry that you might end up an old maid on the shelf, cos you won’t,’ she said, an earnest little frown creasing her powdered brow.
Mattie suppressed a smile. ‘I’ll try.’
Giving her hands a reassuring squeeze, Cathy turned back to admire her reflection again. ‘It seems wrong somehow to be so happy what with everything else that’s going on,’
‘Nonsense,’ said Mattie fluffing up the short cream veil again. ‘A wedding and a good old-fashioned knees-up is just what everyone needs to take their mind off things.’
Cathy bit her lip. ‘Do you think it will be war?’
Mattie sighed. ‘I can’t see how we can avoid it. And what with the blackout each night and trenches being dug in Shadwell Gardens, it’s not as if we haven’t been preparing for it for months, is it? I mean, we’ve had the Civil Defence up and running for over a year, the blackout curtains up since Whitsun and it must be costing the goverment a fortune in printing as every day the postman’s shoving a new leaflet through the door.’
‘But Stan says there is still a chance Hitler will think better of it and leave Poland,’ Cathy said.
Mattie forced a bright smile. ‘Perhaps he will. Now, you know how Rayon crumples, so if I were you I’d stand up for a bit to let the creases fall out.’
Cathy obediently got to her feet.
Mattie knelt down and tugged gently at the hem of Cathy’s dress to get the folds in the right place. The dress, with its padded shoulders, square neckline, cross-cut panels and high waistline, suited her sister to perfection. Cathy had fallen in love with the design two years ago and cut it out from the Spring Brides special edition of Woman’s Own; just after she’d turned sixteen and their father had agreed for her and Stan to start walking out properly. Mattie had sweet-talked Soli Beckerman, the elderly pattern-cutter at Gold & Sons where she worked as a machinist, to make it for her and he’d done a beautiful job.
Satisfied with her way the fabric was draped, Mattie rocked back on her heels and stood up, straightening the skirt of her own apple green bridesmaid dress. Bending forward, she checked her hair only to find, as always, several wayward curls had escaped.
The door burst open and their mother strode in.
Ida Brogan was halfway through her forty-fourth year and at five foot five could look all three daughters more or less in the eye. If the faded wedding photo on the back parlour mantelshelf was to be believed, two decades ago she would have comfortably fitted into any of Mattie’s size twelve dresses but now, as mother to a brood of Brogans, her hips had spread accordingly. That said, she could still sprint down the road after a cheeky youngster if the occasion arose.
With the exception of Christmas Day, Good Friday and Easter, her mother usually donned a wraparound apron and hid her silver-streaked dark brown hair that was once the same rich chestnut tone as Mattie’s under a scarf, but today Ida wore a navy suit and a smart pink blouse with a fluted front and a bow that tied at her throat. In addition, she’d bought herself a new felt hat which she’d decorated with a vast number of artificial flowers. However, in keeping with the government’s latest directive she’d enhanced her ensemble with the cardboard box containing her gas mask which was now hanging from her right shoulder by a length of string.
‘How are you two getting on . . . ’ She stopped as a rare softness stole across her rounded face. ‘Don’t you look a right picture?’
‘Thanks, Mum,’ said Cathy, smiling shyly at her. ‘Mattie’s done such a good job, hasn’t she?’
Ida nodded. ‘Turn around and let me have a gander at the back.’
Cathy did a slow turn on the spot.
‘Beautiful,’ said their mother with a heavy sigh. ‘You’ve done your sister proud, Mattie.’
‘Thanks, Mum,’ said Mattie, enjoying her mother’s approval.
Ida winked. ‘Good practice for when you and Micky get wed, isn’t it? I suppose he’s meeting us at the church.’
Mattie gave a wan smile.
‘Just as well,’ continued her mother. ‘The way Queenie’s been lashing everyone with that tongue of hers, she’d have given the poor boy the rough edge of it if he’d been here this morning.’
She caught sight of her daughters’ alarm clock on the bedside table and scowled. ‘Eleven-thirty! Where’s your bloody father?’
‘It’s all right, Mum, the church is only five minutes away so we’ve got plenty of time,’ said Mattie. ‘I’ll take a look to see if he’s coming.’
Going to the window, which had been criss-crossed with gummed-on newspaper, she threw up the lower casement and looked out.
Heavy grey clouds still hung low over the London Docks just to the south of them but, mercifully, there were a few blue patches forcing their way through.
‘Can you see him?’ asked her mother.
‘Yes,’ Mattie replied as she spotted Samson, her father’s carthorse, turn into the street. ‘He’s just coming.’
Her father, Jerimiah Boniface Brogan, sat on top of his wagon. He was wearing his best suit with a brocade waistcoat beneath, a red bandana tied at his throat. The wagon with Brogan & Son Household Salvage painted in gold along the side, which was usually piled high with old baths, bedsteads and broken furniture, had been scrubbed clean the previous day. It was now festooned with white ribbons and even Samson’s bridle had bows tied to either side. As the cart rolled over the cobbles, the neighbours stopped their Saturday morning chores to watch the bride set off to church.
Ida bustled over and, pushing Mattie aside, thrust her head out of the window.
‘About bloody time,’ she called as the cart with Mattie’s father sitting on the front came to a stop in front of the house.
Although Jeremiah was three years older than his wife, his curly black hair showed not a trace of grey and, with fists like mallets and forearms of steel, he could still wipe the floor with a man half his age. According to Grannie Queenie, her one and only child had been born in the middle of the Irish sea during a force nine gale and had had the furies in him ever since. As boisterous as a drunken bear and with a roar like a lion, Jerimiah Boniface Brogan wasn’t a man to mess but his yes was yes and his no was no and everyone knew it. But to Mattie he was a loving smile and a safe pair of arms to cuddle into and she adored him.
He stood up and whipped off his weather-beaten fedora.
‘And a top of the morning to you too, me sweet darling,’ he called, sweeping his enraged wife an exaggerated bow.
‘Never mind the old codswallop,’ Ida shouted back. ‘Where the hell have you been?’
‘Just socialising with a few friends in the Lord Nelson,’ he replied, setting his hat back at a jaunty angle. ‘Is the bride ready?’
‘Of course she’s ready,’ her mother replied. ‘She’s been ready for hours.’
Jerimiah jumped down. ‘Then her carriage awaits.’
‘Right, I’ll take Billy with me and I’ll tell Charlie when I see him to make sure he keeps an eye on Queenie,’ said her mother, hooking her handbag on her arm. ‘I don’t want her nipping into Fat Tony’s to place a bet on the two-thirty at Kempton Park on her way to church.’
She turned to leave, then stopped and gazed at her middle daughter.
Tears welled up in her grey eyes.
‘You look so lovely, sweetheart,’ she whispered.
Ida hugged her to her considerable bosom for a moment then, taking a handkerchief from her sleeve, hurried out of the room.
‘Ready?’ Mattie turned to her sister.
Cathy nodded. Her gaze rested on the double bed the three sisters shared. ‘It’ll seem strange not snuggling up with you and Jo each night though.’
Mattie smiled. ‘No cos you’ll be snuggling up to your new husband instead.’
‘But at least after today you won’t have to hear Ma and Gran arguing the toss from dawn to dusk,’ said Mattie.
‘Thanks be to Mary, for that,’ Cathy replied.
They exchanged a fond look, then Cathy threw her arms around Mattie. With tears pinching the corner of her closed eyes, Mattie hugged her back.
‘Let’s be off then,’ said Mattie, hooking both their gas masks over her shoulder. She picked up her sister’s white confirmation Bible and rosary, then handed them to her. ‘After all, you don’t want to keep that groom of yours waiting.’
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I write historical fiction set in East London just after WW2 and the most difficult thing about writing about the lives of post-war women today is to try to show readers the vast changes that have occurred in social and moral attitudes over the last seventy years.
For example; the idea that a woman from a working class background would ever go to university was almost unthinkable. Rather than a career the ambition of the majority of young women at that time was to get married and have children. It was expected of them and very few people questioned it. Society supported this as girls’ education featured cookery and needlework designed to equip them with the necessary skills to be a good housewife; very different from the expectation of today’s young women. Continue readingShare this...
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